Tuesday, 24 September 2019

Nepotism for a better tomorrow: Part 743242.

Like a techno Morcambe and Wise, Oli Warriner and Lee Forster, return to the inhouse Forriner Music label for their latest release, the subtly titled 'Spontaneous Human Combustion EP'.

It's easy to imagine the titular opener as the climax to an explosive 5AM warehouse party. It's a ball of clanking neon energy, swapping from full-throttle Detroit banger to something even tougher and leaner as it rockets through its run time. The result is serious but fun, sincere yet silly. The situation where too many listens may drive you insane! —this is four-on-the-floor techno, mean and propulsive with a huge drop and wicked twist.

Next up is 'Akushon' with its bouncy kick and nagging arppegio pinging against a clapping and shuffling drum rhythm. The intensity slow cranks up as sinister laughter and a nagging synth line  morph into a chiming alarm bell before the tension eventually collapses into a monster bolts of 80's Italo noise.

Rounding the package off, North East compadre Man Power chips in with a remix of 'Akushon. Bringing a bucket full of sunshine and some trademark subtle 808 he turns the tension up to maximum with an epic intro while somehow simultaniously keeping the track restrained. Prefering to keep the vibe bubbling under rather than bang the kitchen sink in. In less skilled hands this could easily have turned into a big, dumb 'house slammer' with fat basslines, and rave stabs, but Man Power skillfully delivers a lesson in understated drama.




Buy Spontaneous Human Combustion by Forriner on Juno, here.
Follow 'Forriner' on Facebook, here.
Follow 'Forriner' on Soundcloud, here.

Till next time. Big love.
Mark. X

Thursday, 25 July 2019

Thoughts On Love And Smoking Podcast #20: Antony Daly/586 Records.


So, after a considerable time away on gardening leave we've actually come back home, put our dancing trousers on, and managed to pull our fingers out and do a tiny bit of work in order to bring you some of the shiniest, freshest, newest music from the glitterati (sic) of the electronic music scene. So without delay, it's with a hearty cry of "WEEEE'ZE OOT?!" that we welcome Peterlee's finest, Mr Antony Daly to this new round of podcasts!

If you didn't already know, Tony has been one of the mainstays of the Newcastle music scene since the late 90's. Resident at 'Reverb' in Newcastle, early 2000's and more recently, resident and co-promoter of the 'Suono' parties. Equally happy, on the dancefloor, or providing the music for the dancer, he's also the man behind the counter running Newcastle's finest independent record shop, 586 Records.

When people eulogize dance music culture, they often praise the values of freedom and acceptance that arise in the ideal club setting, but that freedom isn't always felt in the musical policy. For whatever reason—either a fear of losing the floor or orthodox tastes—many DJs still serve up hours of unremarkable music that barely varies in tempo or sonic makeup.

This is what makes Tony such a compelling DJ by comparison. His sets are hypnotic and decidedly funky, but he seems intent on bucking music conventions with whatever he plays.
Tony's selections have always had a sonic richness and sun-kissed aesthetic that makes him irresistible for true fans of both house and disco's classic style or their modern mutations. Though he's just as comfortable with sleek techno rhythms and writhing acid lines. This mix shows him running at full tilt, cherry-picking bits from the corners of his musical universe. A glowingly soporific mix of hazy, vitamin D infused dance music. All subdued basslines, lightly chiming pianos, and sparkling drum strikes. A skilful melange of rhythms, tones and lovely melody.

If you're lucky, you can still catch the big fella playing in bars and clubs through the city and further afield, so if you get the chance, be sure to go see him.
Make no mistake, big Tern is still a peak time party provider!

Go on.
Gerramongst it!!



Follow Tony on Soundcloud by clicking here:
And find the website for the fantastic 586 Records by clicking, here:

And remember, support your local independent record stores and venues!

Till next time.
Big love. Mark. X

Thursday, 18 April 2019

Start Making Sense!!


If you're not aware of the work of longtime friend of TOLAS Vilmantas Pocius aka Serial Experiments then you must have been living in a particularly dark area of Sunderland for the last few years. Part of the 'WhyPeopleDance' collective out of Lithuania, he has curated the brilliant 'Layers' mix series for the last 5 years as well as cementing a reputation as one of the most forward-looking DJ's around. He's also responsible for an impressive instalment in the Edit Service series and he's supplied some of my favourite long player mixes of recent times, with notable turns for Krossfingers, Ransom Note, NOED, and a cracking recent mix for Godo Friends. All come highly recommended. So, as you can see, all in all he's a busy, busy bee!
However, not to busy as to not have time to dig, gather, and release a full on 16 track collection of edits and oddities collated from the good and the great of his friends and musical family.
Released on the in-house 'MATERIÁ' label yesterday with Sneaker's brilliant 'Face To Face' edit (grab a free download here) premiering on the ever-reliable 44100hz Social Club.

"why people dance is back with another MATERIÁ release, for which friends, family members and colleagues - 16 of them - made 16 different edits for almost any occasion. Harsh raw vibes, ambiguous hip-hop disco treats, just pick and roll!"

You can pick up the 'Matediteria' edit collection from the WPD Bandcamp page, here.
Follow Serial Experiments on Soundcloud, here.
Follow WhyPeopleDance on Soundcloud, here.

Till next time.
Big love. Mark. X

Wednesday, 30 January 2019

The best DJ(s) you've (probably) never heard of #11: Odopt.

Big-boned, rolling techno-house freaks from Born Free Records and Discos Capablanca hacienda. Riding some supremely wide and squelchy acid bass in the muscular but messed up jack tracks, discordant and groovy in equal measure, swanging and moody electro-acid-house finesses and darker EBM house variations. Directly from some semi-legal basement venue where you’d just love to spend your time every week. Live show includes slow growling synth melodies rising from a kinetic sound bed of vintage drum machines and peppered with computer glitches, menacing vocal passages and live percussion.

As part of Moscow based production duo Odopt, Grisha Nelyubin first surfaced in 2016 on Born Free Records with a scuzzy set of box jams entitled Sickert Art Bartel. For record number two, Odopt upped their game with a 12″ for Berlin’s Discos Capablanca. Belgrade is a record guaranteed to keep discerning dancers on their toes – check out the haunted techno-disco of Croque Trans Croque below.
Nelyubin also had his own release on I’m a Cliché’s Edit Service serie under the Blind Rape moniker.
As a DJ, he keeps the emphasis on mystique, conjuring a spell of itchy techno-disco, ill tempered post-punk and fuggy electronics.

Test Pressing mix #456 (that’s correct) comes from Moscow based production duo Odopt, who first surfaced in 2016 on Born Free Records with a scuzzy set of box jams entitled Sickert Art Bartel. Staying with a plug for Stockholm’s Born Free for a moment, they were one of our picks from 2017, releasing all sorts of goodies from off-kilter DIY dub from Pedrodollar (which made my end of year list) to warm and textured productions on the housier end of things from Samo DJ – a label to watch in 2018 for sure. For record number two, Odopt upped their game with a 12″ for Berlin’s Discos Capablanca. Belgrade is a record guaranteed to keep discerning dancers on their toes – check out the haunted techno-disco of Croque Trans Croque below.






Follow 'Odopt' on Soundcloud, here.

Until next time.
Big love. Mark. X

Wednesday, 9 January 2019

Bloody Forriner!

Oli and Lee, aka Forriner, will be no strangers to anyone who's read this blog before. Until recently perhaps better known by their individual projects, Last Waltz and Traela, they recently joined forces to create production behemoth 'Forriner' after meeting each other through their contributions to the Newcastle music scene.
They've since successfully released solo material on a number of well known label's like ESP Institute, Mule Musiq, Let’s Play House, Tusk Wax and Hhatri and after a slew of releases as 'Forriner' on Futureboogie and fellow Northerner Joff 'Man Power' Kirkwood's 'MeMeMe' imprint, the pair decided to start their own record label - Forriner Music.
However, it's not only magical production dust the pair have been showering us with, oh no, they've also been flexing their non-too shabby selector skills and dropping the odd mix or two on us as well! Following on from where the debut transmission 'The Bloop' left off, 'The Bloop 2' moves farther in the same direction, creeping through one cold landscape after another, always arriving somewhere unexpected. It's a soundscape which deftly weaves through spoken word and library soundtracks, and is just as comfortable rubbing up against French new wave, dub and 60's psychedelic pioneers like The Silver Apples. It's a wonderfully diverse set to get lost in so don't delay, throw you musical compass away!!



Follow Forriner on Facebook here.
Follow Forriner on Soundcloud here.

Till next time.
Big love. Mark. X

Monday, 20 August 2018

"Lets see what you could have won!": The gameshow as a tool for social self-esteem.


The jokes are usually about the speedboats. And, granted, it is funny when two people who live somewhere in the Midlands or here in Newcastle are shown a speedboat that they have just failed to hitch onto the tow bar of their Ford Granada Estate. But there is something revealing about the comedic response we have to old TV game shows like Bullseye. As they are recalled in nostalgic laments of memory or through the repeats made available on digital TV these days, the old game shows evoke the distance of time and an ironic sense of whimsy for the way we were 30 years ago.
There is something quaint and strange about these shows. This was a time, if we believe what we are seeing, when people could win a metal tankard or handmade key fob without a crushing sense of awkward self-awareness or the need to look knowingly, David Brent style, into the camera lens to share the joke. These shows act as a portal on the passage of cultural-time, they present to us a society that seems quite distant, alien and maybe even odd. This is despite them actually showing us an earlier version of our own cultural selves. The palette of beige and grey, the neon lights, the captions – 'jackpot', 'holiday of a lifetime', 'TVs biggest..' – the posing models, the multipurpose, modular sets, the applause, the shady innuendo, the grinning hosts, the catchphrases. I’ve often thought that you could use TV game shows as documents of social change as they seem to capture something very much of their time the way that other media fail to.
Over the last few years, the Challenge TV channel (Sky 145, Freeview 46, folks!) has provided plenty opportunity to reflect on this. This channel predominantly shows old episodes of TV game shows from the 1980s and early 1990s. This was something of a golden era for this format. Challenge TV has been showing old episodes of a wide variety of shows for years now, everything from Bullseye, Family Fortunes, Take Your Pick, Big Break, The Price Is Right, Strike it Lucky, Celebrity Squares, 321 and Wheel of Fortune have been thrust back onto our TV's. If we look carefully, these repeats potentially reveal more than a taste for nostalgia, they actually document some interesting social characteristics of the time – especially when compared to the few equivalent programmes of today.
Game shows today if we can still call them that, are often centred on large cash prizes, a million pounds is often the landmark but it is nearly always in the tens-of-thousands at least. Although in some cases the prizes are knowingly small and are delivered with an unmissable sense of irony and a calculated wink (Pointless deploys this type of approach). Back in the 1980s shows like Bullseye were built around prizes, these prizes might be seen to reveal something of the aspirations of the time. There is an overwhelming sameness to the desired lifestyles that are put on display and narrated by these prizes. From pine plant stands and canteens of cutlery to trouser presses and hand-held video cameras. And then there are the infrequently won star prizes, a trailer tent, a caravan, a fitted kitchen, a dining room suite, a hatchback, a speedboat. These prizes all reveal something of the aspirations of the time, they may even say something about lifestyle choices and perhaps even social mobility. On Wheel of Fortune, we see something similar, with a pint-size bottle of French perfume contained in a large glass flower, leather trouser suits and ‘his and hers’ watches. These are prizes that seem to be woven with powerful social norms – embodied by those ‘his and hers’ watches.
If we look at the TV games shows I mentioned, we begin to get a vision of what might have been an ideal or a desired utopian lifestyle. Waking up to a cup of tea prepared by an automatic Teasmade, preparing a fondue in a fitted kitchen, entertaining a laughing family around a barbeque whilst sitting on pristine plastic garden furniture and sipping from a magnum of champagne poured into crystal champagne flutes, or perhaps gathered around a dining room table serving from a hostess trolley to a table decked in gold knives and forks whilst discussing our latest holiday of a lifetime to Torremolinos – then our guests, dressed in Italian leather jackets, drive their saloon cars home for a nightcap poured from a cut-glass decanter. These are the types of dream lifestyles that were woven into the prizes and into the way that these objects were presented to the contestants and viewers. They have norms bound up within them, norms that now might appear somewhat stifling in their depiction of the lifestyles that they are scripted to be a part of. These shows, many of which were watched by huge audiences in the 14 million + category, seem to say something about the types of 'want' that were dominant at the time, and may even be a precursor to the vision of consumerism we see today. Where the prizes in 80's and 90's game shows were about scripted lifestyles, today’s are about the consumer freedoms of money. That is to say that instead of pre-determined objects with narratives and norms attached to them, instead now the focus is upon the limitless possibilities of large sums of hard, dirty, cash.
Looking back at these shows though, what is perhaps most immediately obvious is how the protagonists or as they were then 'contestants' have become much more media savvy. We now appear to innately understand how to behave when on television. Contestants of the 1980s and 1990s appear unsure and uncomfortable. They are uncertain in their movements and often mumble their way through anecdotes, furtively looking at their shoes. They ALL appear to be wearing 1 of 3sets of clothing options: the clothes they would either wear to work, wear when at home or the ones they'd wear to get buried in – this is the standard colour palette of greys and light browns that contrast with the brightly coloured sets. They appear to be ill-prepared for the experience. The knowledge of how to be media savvy is long yet to be developed. Somewhere along the line we became more media aware, with the confidence to speak, dress and move in the way expected and required by Ant and Dec! The contestants may no longer be dressing themselves but, if this is indeed the case, they look comfortable in the retrofit clothes provided by the stylists. People appearing on TV no longer appear out of place or like they are participating in a disconcerting or traumatic adventure to the unknown. They appear to know what they are doing. It is like we are now media trained as a routine part of our normal social process. In the 1980s game shows in particular and a little in the game shows of the 90s, there is still something of the wonderment in what is described as the presence of ordinary people in the media. It is as if both the contestants and the viewers are surprised that they are a part of what is happening. They respond accordingly. This is no longer the case, the wonderment has passed, contestants today look increasingly like they belong – and the viewers are not surprised to see them there.
These old TV game shows are not the type of documents or artefacts that might usually be used by those interested in understanding social change, but there is definitely something of a rich vein of cultural heritage as far as being an audio and visual account of these times can be. I remember once visiting an art installation by a chap I went to college with that simply included a TV showing a short loop of an old game show based around a variety of pub games. I didn't think anything much of it at the time but now I wonder if by its lack narrative or text, was he inviting the visitor to reflect back on this historical artefact? Knowing him, I'd say the good money is on the fact that he was just pissing about and I'm reading far too much into it. But it does go to show that these old TV game shows tell surprising stories and reveal something of the time. These are audio and visual documents that depict a real and clear social change. There is definitely more to be said, but for the moment they certainly seem to say something about aspiration and how we have become increasingly media savvy.

Till next time.
Big love. Mark. X

Friday, 17 August 2018

The best DJ you've (probably) never heard of #10: Armin Schmelz.

With one thing and another, I've been TERRIBLY lax with posting on the blog over the last few months. What with life, and my crippling lethargy, seemingly constantly getting in the way of things it's been an absolute 'mare getting something, ANYTHING cobbled together for it!
Well, I've had my hand somewhat serendipitously forced on this one. I had been planning to write something about this guy for a while now but seeing as he's only recently recorded the latest installment in the ever wonderful 'Krossfingers' podcast series I figured I may as well put this out now. I've posted a couple of Armin's mixes and radio shows over the last couple of years across on the Thoughts on Love And Smoking Facebook group but as I say, had been intending on doing a small focus piece on him for some time.
Armin Schmelz is something of a musical enigma. A long time, and equally important name on the Vienna scene co-organizing events and parties like Erdbahnkreuzer and Tingel Tangel, alongside previous TOLAS podcast contributor Bernhard Tobola.
From the first recording I'd heard of him, it was clear that he had little concern about sticking to one style of music or a certain genre. In a scene where it's becoming increasingly rare these days to find individuals who have a bold approach towards dance music, those pushing genuinely genre-defying DJ-ing are worth they're weight in black plastic.
He sometimes forays into the psychedelic, sometimes into the electronic. Percussion drifts from remote islands and rises up to touch tender discosoul in a cinematic exploration of the slower heart rates of danceable music. Each stage and its environs carefully define a new tone and set to his voyages into the mysterious.
Moving deftly from angular disco cuts and frantic techno to NY post punk-funk and coldwave in wild selections of un-chained melodies while also rounding up elements of continental pop and electronics.
Listen, then seek him out. Armin Schmelz is MOST DEFINITELY the real deal.







Till next time.
Big love. Mark. X

Sunday, 13 May 2018

Feynman at 100.

This weekend marks what would be the 100th birthday of legendary American physicist Richard P. Feynman. In a world in which many people think of the socially awkward Sheldon Cooper in the television show The Big Bang Theory as being a typical scientist, Feynman was the quite the opposite. And he should be remembered as one of the most brilliant and impactful physicists of the 20th century.
The public met him in his 1985 book Surely You're Joking Mr. Feynman, in which he regaled the reader with anecdotes of a colorful and well-enjoyed life. Feynman was a bon vivant, with an affinity for samba music, art, strip clubs and playing the bongos. He was also a successful ladies' man.
There are those who have claimed that he was sexist, but the truth is subtler. He encouraged his sister to study physics, he advocated for both male and female students, and in the 1970s he supported a fellow female faculty member who he felt had been discriminated against due to gender. (She won her lawsuit in part due to his backing.) He certainly was a product of his time, but his attitudes towards women were not unusual for the era.
Feynman was certainly one of the most brilliant scientific minds of the 20th century, with an impact eclipsed perhaps only by Einstein. He was born in Queens, New York, to immigrant parents. His advanced academic life began when he attended college at Massachusetts Institute of Technology, followed by graduate study at Princeton University, where he achieved a perfect score on the physics entrance exams. The bulk of his career was spent at Cornell University and California Institute of Technology.
His incredibly fertile mind generated many innovative ideas in physics, but his most renowned work was in helping to craft the theory of Quantum Electro Dynamics, or QED. QED is an advanced theory of electromagnetism and it incorporates quantum mechanics and Einstein's theory of special relativity. This esoteric theory explains the behavior of subatomic particles under extreme conditions and is the fundamental underpinning of all modern physics theories. It was originally formulated in 1948 by a coterie of theoretical physicists.
Feynman made many important technical additions to the theory, but probably his most impactful contribution was what are now called Feynman diagrams. Feynman diagrams are just little cartoons that show how subatomic particles interact. Basically, they are little stick figures, the simplest of which show two particles approaching one another, then one of them shoots a third particle at the other, and then both particles recoil and move off in a different direction.
The brilliance behind Feynman diagrams is that each line in the stick figure comes with an associated mathematical equation. And now that means that anybody can draw a series of these cartoons for any imagined subatomic interaction and then a sufficiently trained scientist could convert the diagrams to equations and then solve them. Certainly, Feynman diagrams made it much easier to learn this very advanced physics for me and others of my generation.
Feynman's contribution to the development of QED led to the 1965 Nobel Prize in physics, shared with Julian Schwinger and Shinichiro Tomonaga.
Feynman's ability to simplify and clarify ideas are exemplified in what are now called the Feynman Lectures. These lectures were given in 1961 -- 1963 at Caltech and are perhaps the most famous set of pedagogical physics presentations ever given. The intended audience is physics students and not casual scholars, but they are fascinating reading and well worth your time if you want to learn physics from the master.
He also served on the Rogers Commission, which investigated the 1986 Space Shuttle Challenger disaster. The Challenger exploded shortly after it launched on a cold January day. Although seriously ill with cancer, Feynman wanted to get to the bottom of the tragedy. It was suggested to him by people with technical knowledge of the engineering of the space shuttle that O-ring gaskets used to seal joints between shuttle components were not tested at low temperatures. During a televised hearing, Feynman -- who always had a flair for the dramatic -- dipped a sample O-ring in ice water and then showed that it lost its ability to seal cracks. It was eventually concluded that O-ring failure was the root cause of the loss of the Space Shuttle Challenger, along with the entire crew.
Reading of Feynman's free-wheeling life can be fun, but that's not what he was really about. Instead, his true legacy can be found in his writings, both technical and those aimed at the community of non-scientists. It might be said that his guiding principle was to seek the truth, whatever it might be, and to be open to the idea that you might be wrong. Perhaps he said it most succinctly in his essay, Cargo Cult Science. He wrote that "The first principle is that you must not fool yourself - and you are the easiest person to fool." It's a good, timely reminder for all of us.

Till next time.
Big love. Mark X

Friday, 13 April 2018

We hate it when our friends become successful. (And if they're Northern, that makes it even worse!)

Forriner is the new handle for Newcastle's very own Lee Forster and Oli Warriner. The pair, perhaps better known for their individual projects, Last Waltz and Traela, have now joined forces and are working under this brand new, box fresh moniker. Lee was responsible for the now infamous 'Dada' parties he ran alongside Geoff “Man Power” Kirkwood and Mick Rolfe (also of Last Waltz) which brought a spectacularly diverse guest DJ’s to the city during its lifetime. The likes of Chida, Kento, Felix Dickinson and I-F to name a handful, all touched down at some point at the raucous, and now legendary parties. The three of them have since gone on to play clubs, festivals and parties far and wide, home and abroad, from Tel Aviv, Berlin, Lithuania, and Croatia. Lee has also held down a longstanding residency at Tokyo in Newcastle for over 15 years and been pivotal to the scene in the north east from way, way back with involvement in pretty much every other club in the area that was worth its salt, with his name attached to the likes of Reverb, Method Lounge, Hipcheck and Hold It Down.
Back in 2014, Oli, finding himself increasingly tired of the run of the mill club nights in the city, began the running and organising of a series of secret parties which would later develop into the record label he owns today. Tunnyl Records is an amalgamation of the many different avenues Oli takes his influence from, not being bound by specific genres or confined to one style. This bold outlook gave him freedom to contact artists and release music brought to his attention through word of mouth and hard work as opposed to those riding current trends and hype.
Which brings us slap bang up to date! After meeting each other through their contributions to the Newcastle music scene and having successfully put out solo material on heavyweights such as ESP Institute, Mule Musiq, Let’s Play House, Tusk Wax and Hhatri, the duo decided to recently combine as Forriner. Their first releases for Futureboogie Recordings and Man Power’s MeMeMe have seen them off to a strong start picking up airplay on BBC Radio 1. Now, the pair have decided to start their own record label - Forriner Music. The ethos of the label being to always move forward, always releasing music that they like, outside of conventional genre boundaries. And that's enough to get us here at TOLAS excited!


The Condor EP is the first release from their brand new imprint, 'Forriner Music' The release features two Forriner originals and collects remixes from underground heavyweights, Perseus Traxx and Frank Butters which you can stream below.




You can follow Forriner on Facebook, here.
You can follow Forriner on Soundcloud, here.

Till next time.
Big love. Mark. X

Thursday, 15 March 2018

Man(kind) Power.


Good news, people! As humanity slips further down the universal U-bend it's always thoroughly bloody brilliant when there's even the tiniest speck of hope that not everyone you know is an utter shithouse. My mate, Fat Geoff who has made a career from being a middlingly talented record producer and aggressively average DJ is releasing a compilation album made up of tracks by infinity more talented, and better looking, people than him (I've heard the whole record so I can vouch for that!)
Now that alone is good news for music lovers but to make it double lovely, the whole thing has been a long-gestating project to help refugee charities, so you should DEFINITELY ruch out and buy it as soon as it's out. As a bonus I’m assured that he gets nowt from it as he’s an awful, awful bastard. X

The album will be available from the 4th of May on Man Power's most excellent 'MeMeMe' label

Till next time.
Big love. Mark. X

Wednesday, 14 March 2018

Thoughts On Love And Smoking Podcast #19: Bernhard Tobola.


Bernhard Tobola is something of a legend in certain circles. He's long been a fixture of the Vienna scene, co-organizing events and parties like Erdbahnkreuzer, Tingel Tangel, Cosmic Serpent, Walden and Parken. His DJ sets surf a hedonistic wave on the edge of Italo Disco, Cosmic Disco and Acid House. Regularly playing on the likes of Amsterdam's Red Light Radio and guesting at Sameheads and the Comp Cosmic festival in Germany. I came across a handful of mixes of his a few years back while trawling through Soundcloud and he's been a firm favourite of mine since.
Now, after much haranguing and persuasion he's kindly taken the time out to put a selection together for the TOLAS podcast series and it certainly doesn't disappoint!

"What can we expect from a Bernhard Tobola set?" The DJ draws us a picture.

"An Italian night at the end of a summer day in the eighties. People arrive at the lake Garda in their Citroen DS's. The trees are decorated with syringes and the DJs playing some weird electronica mix from a booth, shaped like a space ship."

Well, this is it. Tune in and let them take you to a starlit beach where the cocktails are always cold and the Milky Way shines brightly overhead. This ones a killer!



Follow Bernhard on Soundcloud HERE.
Follow Bernhard on Mixcloud HERE.

Till next time.
Big love. Mark. X

Wednesday, 14 February 2018

Thoughts On Love And Smoking Podcast #18: Kirsty P.


We've been a little remiss here at TOLAS for the last couple of months as far as our podcasts have been concerned, but now that Christmas, and January,,,, and a good chunk of February is out of the way we've given ourselves a good old boot up the rump and the gears are once again beginning to turn at the HQ. As such we thought we'd lay something extra special out for you this time round and we're pretty sure this mix fits the bill perfectly. 75 minutes of immaculately curated sonic goodness from a lady who's rapidly becoming one of our very favourite selectors, Kirsty P.
Kirsty has been making all the right noises of late with a handful of excellent podcasts for the likes of Something Spaceial, Serial Experiments, Esters as well as a stellar take for the NSA mix series which featured in our best of 2017 list. As a result Kirsty has been collecting an increasingly busy gig schedule as a result playing around the country as well as further afield. You can catch Kirsty on the 28th of April up in Edinburgh for Finitribe Presents, then at the mighty Alfresco Festival at the end of May.
But first things first! Dig into this beauty and lose yourself to the world of wild rhythms. X



Till next time.
Big love. Mark. X

Saturday, 30 December 2017

It's the end of the year as we know it...

 
Well, unless you've spent 2017 full of mogadon and lager, you may well have noticed that the previous 12 months have been a quite wretched time. It's safe to say that its been about as much fun as being booted into a pit of broken glass covered in dog shit. With this in mind I'm going to wisely leave the geopolitical deconstruction to the broadsheets, Charlie Brooker, Frankie Boyle et al. Here at TOLAS we'll stick to what was actually a rather glorious year for music.
Songs and albums only tell part of the story of a given calendar year, but the best DJs can lend an additional context and depth. I find that mixes can help you understand unseen connections between disparate sounds and scenes — the way that only the best DJ's can. Whether it's cutting-edge electronica, nostalgic Balearia, old school techno and EBM or new wave weirdness. These are, in no particular order, our favourites of 2017.
Hope you enjoy some or all of them, and here's to a wonderous 2018. X

1: Young Marco. RA 571.


2: Vladimir Ivkovic. Live at Dekmantel 2017.


3: Solar: 10 Years of Huntleys & Palmers.


4: Lena Willikens. Live at Dekmantel 2017.


5: Manfredas: Renate Podcast 39.


6: Joe Gill & Alex Gryzbowski. Outlaws Yacht Club on KMAH, 11.07.17.


7: Kirsty P. NSA Guest Mix 29.


8: Andrew Thomson. Nasty Age Of Loving mixtape.


9: Nosedrip. Dekmantel Podcast 87.


10: Black Merlin at Strange Sounds From Beyond 2017.


11: Standeasy. Mind Garden #1.


Happy new year. Big love.
Mark. X

Thursday, 16 November 2017

10 things which made you look NAILS at school!


Tough guys in the 70's and 80's: for whatever reason it was important that we all looked and acted like Darth Vader, Mr. T, Chuck Norris, Peter Sutcliffe and the criminals of the day, despite being ten years old and the owner of a Transformers/Zoids lunchbox.
At our school, it was imperative that we gave the impression of A) not giving a fuck what anyone thought of us (especially teachers) and B) being able to roundhouse kick anyone in the school into the middle of next week. It also helped if we could project the aura of someone who carried guns, and who had the Hell’s Angels on speed-dial (assuming our mums let us use the phone).
Because we were all idiots, we used to take our cues from the popular TV shows and movies of the day, thinking that if we just copied whatever punk, tough guy or shit gang member (I’m looking at you cast of Beat Street!) was on the screen at the time, then their street cred would rub off on us. If we acted like them and did the following things, then our enemies would run and hide in a bin when they saw us coming.
It never worked. All that happened was that we either got lamped, laughed at or told off by grown ups.

1. Wearing a leather jacket:
Wearing a leather jacket instantly made you invincible. This was because of a special chemical injected into the leather that made people cross the road when they saw you coming.
Not that any of us had leather jackets. We had kagouls and coats with velcro fasteners.
Also, biker gangs all wore leather jackets and had names like ‘Groin’ and ‘Pissface’. I think the plan in the back of our minds was to somehow acquire a leather jacket/hat/socks/anything, and then people would mistake our Choppers and Grifters for actual motorbikes. This would mean we’d officially be ‘hard’, and no one would bully us and call us a shit for brains while nipping us.

2. Putting your hand through a bunsen burner dead quick.
What could be more dangerous and hard than putting your hand in a fire? All the hard kids at school would regularly spend entire chemistry lessons waving their hands around in the bunsen burner flame instead of doing any work. This was massively impressive to onlookers until they actually tried it themselves.
Since I wrote that bit, it has come to my attention that my brother is also suitably impressed by this, having never done it himself at his posh knob school.
I don’t remember exactly how you did it, but there was a certain part of the flame you could wave your hand through, and it didn’t hurt or burn you. Obviously, once everyone got wise to the trick, we would just crowd round the bunsen burners waiting for our turn to do this. Thus, the awesomeness of the trick was relegated to being about as clever as doing that thing where you wave your pen and it goes bendy.

3. Saying 'Bloody Mary' into a mirror three times.
the bogs at my school, you could shut the door and turn the lights off, and then the only light would be through the small panel of glass in the door. This was handy because the mirror in the toilets was haunted, but only when it was dark enough.
Once you and your mates were successfully alone in the toilets, one of you was nominated to summon the evil spirit in the mirror. This was done by staring into the mirror (usually with your face pressed up against it, for some reason), and saying ‘Bloody Mary’ three times. No one knows exactly what happened on the third go because no one ever got that far. However, we did have some scary paranormal encounters even before completing the ritual. These included:

– “That mirror DEFINITELY moved!”
– All running out of the toilets screaming
– One of the teachers barging in, thus breaking the sacred atmosphere of the toilets
– “FUCK! I saw something in the mirror!”
– All starting to cry and shitting our pants

4. Tattoos.
When I was a kid tattoos did not enjoy the mainstream popularity they do now; you hardly ever saw technicolour butterflies, fairies and out of context Chinese words. Back then, people generally had things like ‘TWOC’ and 'ACAB' stabbed into their forehead using a compass.
Therefore, having a tattoo meant instant bad points. Unfortunately, we never had much luck with convincing tattoo parlours that we were eighteen when we were ten, so we had to resort to other means.
Step forward temporary tattoos. For a few pence, we could buy all kinds of shit designs to plaster on our arms and faces. These were better than our other option, which was to scribble on ourselves with a biro. Temporary tattoos also lasted a bit longer than biro – sometimes up to a whole day before bits started falling off into your cereal.
However, temporary tattoos had one flaw – these were the kinds of designs you could get, which were less badass than 'THUG LIFE' or 'FUCK THE POLICE".

5. Listening to heavy metal.
Along with dying your hair, listening to loud, 'headbanger' music was something only degenerates did. According to my Mum and Dad.
When you consider the alternatives I had as a kid – Showaddywaddy, Darts, and my ‘Importance Of Being Ernest’ play on tape, it’s easy to see why rock music was the answer to my tough guy problem.
The best way to listen to rock music was obviously to carry it round in a huge ghetto blaster, so everyone around you knew how hard you were. If, like me, you didn’t have a ghetto blaster and stood no chance in hell of ever getting one, then your other option was to listen to it on full volume using your MASSIVE yellow plastic walkman and some really shitty headphones. This meant everyone around you could still enjoy the benefit of your music.
Obviously, it was hard to get your parents to buy you albums with names like ‘Fucked in the skull’ and ‘Bloodletting Cuntz’, so you might have had to rely on your older siblings’ taste in music. Thank you, sister 1 for liking Led Zeppelin and Alice Cooper. Sister 2 not so much, with your Cliff Richard tapes. Going through a phase of liking one Twister Sister song does not excuse that.

6. Chewing gum.
Favoured by punks, yobbos and general disturbers of the peace the world over, chewing gum was, in our tiny minds, the ultimate symbol of disobedience. In order to successfully utilise your packet of Hubba Bubba or Juicy Fruit, you had to do the following –
– Chew at all times, even while sleeping and eating
– Chew while talking
– Blow huge bubbles while teachers were talking to you
– Adopt a strange 'Nu Yoik' accent when you talk while chewing the gum
– When (inevitably) ordered to get rid of your chewing gum, swallow your gum in one final act of defiance.
The downside to swallowing your chewing gum, of course, is that it will stay in your stomach for seven years. We all know someone who knows someone who died because their stomach got filled up with chewing gum, and their poo ended up coming back up out of their mouth.

7. Doing graffiti.
All the rad/bad kids on tv had cans of spray paint about their persons. People like err, the shite gang members in Breakdance 1 & 2, Death Wish, and well… that’s it. When you cared nothing for the world or authority, it was a good idea to express yourself by doing  wee bit of angsty art on a wall. Not on your desk though, because your teacher would walk past and see you doing it, then you’d have to spend your breaktime cleaning it off while Mr Rhodes the caretaker looked on and tutted.
For ultimate bad points, the thing to do was spray some swears on a wall while chewing gum and listening to your ghetto blaster. However, the chances of us acquiring any spray paint were slim to none, given that they only sold it at B & Q, and you had to pay money for it. So we used the next best thing – our trusty felt tips.
Unfortunately, it takes a lot of skill to do anything resembling a passable bit of graffiti. The general difference between the graffiti in our heads vs the graffiti we ended up with was quite dipserate. So we’d usually just fall back on writing rude words on the cubicles in the netties, or on one brick round the back of a petrol station where no one ever goes. That’ll show them.

8. Wearing sunglasses indoors.
Some people were actually so hard that they didn’t even need to see where they were going, they could just walk wherever they wanted, and people and buildings would get out of their way.
You had to be sure to wear the right kind of sunglasses though. Red Mickey Mouse ones generally didn’t count, and neither did cardboard 3D glasses. You also had to memorise the layout of a room before putting your sunglasses on, otherwise you were likely to walk straight into the wall. Only someone with the effortless cool of Adolfo "Shabba-Doo" Quinones had the ability to make walls get out of his way.

9. Watching Horror Films (Pretending to watch horror films).
Given that most kids at our school had never seen any horror movies ever (apart from maybe 'Critters'), we had carte blanche to wow our friends with tales of having watched our 20th horror movie of the week, because our parents got it out of the video shop for us, AND they let us stay up until 3am on a school night.
This was not what really happened. But the other kids didn’t know that. Therefore, major cool points were to be had by claiming to have watched Friday The 13th, Halloween, and some films you’d made up, such as ‘Horses With Drills’, and ‘Killed In The Head’. The more elaborate and gory your made up movies were, the better. For example:
“Last night I watched ‘Eyeball Piss Murder’. There was one scene in it where a man cut another man’s head off with scissors, but the head stayed alive and bit the guy’s knob off, and then blood spurted everywhere and a portal to hell opened.”

10. Swearing.
This was good because you didn’t need any specialist training, clothing or equipment to do swearing. You also didn’t have to risk opening a portal to hell, which was handy. All you needed was a decent enough arsenal (lol ‘arse’) of swears, and you too could look like Dirty Harry, Rambo or similar.
Obviously, some of the more advanced and sophisticated language was unknown to us as kids. Words like ‘fuck’ and ‘twat’ were alien to us, but we knew enough. Our words of choice were:

Piss, Hell, Damn, Bum, Willy, Boobies (especially when spelt out on a calculator), Fanny.

Obviously, ‘piss’ was right at the top of this hierarchy, reigning supreme as king of the swears. Telling someone to ‘piss off’ was extremely hard and clever, as was putting your hand up in class and yelling “Miss, miss, I need a piss”. Obviously, this was for advanced badassery only. Little did we know that all we had to do in the end to look hard was kick a person in the shins.


Now we wouldn't put you through all that boring reading stuff without just enough sweet to outweigh the sour would we? In this case, the sugar that's helping the medicine down is this little mix I found down the back of an old hard-drive. Many years ago, myself and a geezer from the posh bit of Wallsend called Geoff, (he may have been fat then, I can't remember) probably better known these days as 'Man Power', used to run a half arsed blog/party called 'Tourist'. We were lazy and wildly unsuccessful but one good thing we did, after much coercing and not a few threats of physical violence, was to persuade Sean Johnson and Andrew Weatherall to bring their 'A Love From Outer Space' party up the road to Newcastle and play in our mates bar one cold Thursday night in December 2011. I believe it was the first time they'd done ALFOS outside of Stoke Newington and because of this I'm going to take full responsibility for any success they had after that!
Seriously though, it was a great night and we were lucky enough to capture most of it on the above recording. As an extra bonus, I think you might even get 9  minutes of my AMAZING warm up set at the beginning, but don't let that put you off. Dig in and enjoy a little bit of history.

Till next time.
Big love. Mark. X

Monday, 30 October 2017

The best DJ you've (probably) never heard of #9: Slobodan Brkic AKA DJ Brka.


Now before I start I know this is going to be a contentious one as Slobodan is in fact as many of you will know a rather well know DJ. In fact he's something of a legend in certain circles. However, I'm working under the proviso that there are a few folk out there still haven't heard of him yet who deserve to. And even if you're more than familiar with his work, it's still an excuse to go back and listen to some of these, frankly outrageous, mixes!
Slobodan is one of the leading figures in the Serbian music scene, if not in the whole of former-Yugoslavia and has been for some years now. He's one of a handful of promoters, producers, artists and DJ's who've undoubtedly been responsible for Belgrade's rise on the cultural clubbing map of Europe. Running the Disco Not Disco party as well as nights on the Sava river at 20/44 alongside DJ Schwabe, he's hosted most of the preeminent underground talents of the scene. He is a truly uncategorisable DJ with an astonishing knowledge of music, able to weave club sounds, techno, house, weird mutant disco as well as Balearic, cosmic and krautrock effortlessly into the fabric of his sets. This is the REAL underground we're talking about here. If you got a favourite DJ? Chances are that this person most likely played Slobodan's party. That underground party we all want to be a part of, with no sponsors, no guest list, and no musical restrictions.
I'm pretty sure my first taste was either an old mix he did for the Noise In My Head website or a sterling turn on Tim Sweeney's Beats in Space show almost 10 years ago. These sets led me down many a rabbit hole, one of the wonderful musical palces they did take me was to his incredible 'East of Cosmic' trilogy of mixes. Without doubt some of my favourite musical selections that I've been borderline evangelical about banging on relentlessly to anyone who'd listen since I first heard them.
It's this set of mixes that I decided to upload for the purposes of this little piece, as I'm sure that anyone who's not had the pleasure of hearing Slobodan play before will undoubtedly want to seek out any/all recordings of him immediately after listening!
Happy hunting.

Follow 'Disco Not Disco' on Mixcloud, here. 
Interview with Slobodan on Krossfingers, here.







Till next time.
Big love. Mark. X

Monday, 2 October 2017

Playtime Paradise!

(This is something of a spiritual successor to the recent 'Fun? Fair?' article I wrote for Ransom Note.)

You could have a fuck-load of fun for a pound when I was a kid. You could buy enough Freddos to induce a mild coma. You could take advantage of the 10 year old me renting out my brothers air pistol for the whole of lunchtime. Or you could have 5-10 goes on a ticket-shitting arcade machine.
These machines were the backbone of my summer trips to Whitley Bay and holidays in Folkstone, Scarborough or similar. I would pester my parents for up to 24 hours a day, and eventually manage to get enough loose change to be able to wander round, honing my skills at ball throwing, thing hitting and general gambling. This tour of the machines would last about three minutes, because I would inevitably lose at everything due to being a stupid uncoordinated kid. On the occasions I did win at these games (about once a year), I’d be rewarded with tickets. These would then be exchanged for things like one fake rubber finger, and a pencil sharpener with ‘Showaddywaddy’ written on it. What more could you want? The best 8 of these games/machines I remember from my childhood years have been compiled for your reading pleasure below. REGARDE!!
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1. Cosmo Gang
Shoot the shit out of aliens before they manage to advance forward and steal your energy packs. Which might actually be their energy packs? I can’t remember. But the more I think about it, we might be the bad guys in all this. Excellent music and sound effects as each alien got shot in their bastard alien face. Those poor aliens. I hope I was proud of myself. I probably was. As far as I'm aware, the ongoing human/alien conflict continues.
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2. Basket Ball Beat The Clock
Not a tribute to Television X’s ten minute freeview. Basket Ball Beat The Clock was actually a ball rolling game similar to Kentucky Derby (I’m getting to that). My memory’s all gone to shit now, but I’m assuming you had to fill up some kind of score meter before the clock ran out. Then you’d beaten the clock. See? If you didn’t manage it, the clock probably punched you in the face. Strangely, the most memorable I remember about this game is that it played Mussorgsky’s 'Promenade' on a loop. photo Pic203..jpg
3. Feed Big Bertha
There’s no other way to say this – this game is about a fat woman who likes to eat balls. Because she’s fat, she does nothing but stand there waiting for you to put her dinner in her lazy fucking gob. I do that too. As Bertha eats balls she gets fatter and fatter until… the game just sort of stops. But if you’ve done well, a load of tickets come out of what I assume is her vaginal area.
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4. Whack-a-mole
It wasn't actually called ‘Whack-a-mole’, it was 'Bash the Beaver' or something like that, but I can't remember the propper name for it so we're going to use the yanks name for it, despite the fact that they're always wrong about everything. Anyhow, in our version, brightly coloured things (lollipops?) come out of random holes just to grief you. You must then show them who’s boss by beating them to death with a hammer.
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5. Kentucky Derby/Arabian Derby
Known in our family as ‘The Donkey Roll’. Similar to Basket Ball Beat The Clock (which I didn’t explain properly above so the comparison is a bit pointless now at this stage). Basically: roll balls, get them in holes, and this makes your horse/camel move forward using technology and magic. Excellent theme tune. What made this game special is the bloodthirsty competitive element. This isn’t just you playing for tickets – this is you playing against a dozen other people, all of whom might be up to 100% better at rolling than you. Therefore it’s completely acceptable and within the spirit of the game to elbow your neighbours, occasionally to bite your neighbours and DEFINITELY use some salty language towards your neighbours. Sadly, there’s nothing you can do about the people who aren’t sitting right next to you, apart from hope they suddenly die, or throw shit at them. photo Pic206..jpg
6. Rocket Ship
This was ace because of all the lights and buttons inside the cockpit – you really felt as if you were on an Apollo mission (not Apollo 13, unless there was a power cut). You sat in the cockpit, held on (if you were a wimp), and the rocket would go up and down while twisting round a bit. This ride gets into the top 8 for its immersive theming (the buttons you could press that went WOOWOOWOOWOO).
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7. Mini Wheel
The object of this game is to sit there going round and round and round and round and round, until your 10p's run out. By the time this happens, there will be a long queue of crying children and angry parents. Ignore them, apart from to ask them if they will give you money for another go. Chances are they’ll say no. No tickets to be won as only a moderate level of skill is involved. photo Pic208..jpg
8. Horse Racing Thing
This had various names, but was generally called something like ‘The Derby’ or ‘Grand National’. It was probably never called ‘Horse racing thing’. You didn’t win tickets, but you did win cold hard cash – sometimes you could win 4p, which was not to be sniffed at. Gameplay was simple – put your money in, pick a horse, then watch the ultra-realistic race play out before your eyes. Different horses had different odds, so some paid out more than others. Having said that, you were never going to be able to retire on the winnings from this game. I wish I could have found some footage of the game to include here, but sadly I fear it would have been missing the all important element of the announcer ordering you to “Place your bets now” while sounding a bit like Stephen Hawking.

Till next time.
Big love. Mark. X

Wednesday, 20 September 2017

The Living Daylights!

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Anyone who ends up on the mailing lists for umpteen labels and promo companies will tell you that for the dozens of tracks you get sent every week, only a small percentage of them turn out to be worth more than a cursory listen. This makes it all the more special when something drops into your inbox that turns out to be very special. The last few weeks seen an uncharacteristic influx of these. Notable among these is the new Smagghe & Cross album 'Timothy Dalton' from Laurent Richard aka DJ Sundae's Idle Press imprint.
The label released one of my favourite tracks of 2016 with a reissue of Pitch's post-punk/no wave anthem 'What Am I Gonna Do For Fun' complete with a stunning retouch from Tolouse Low TracksLaurent and close friend Julien Dechery also compiled the peerless Sky Girl album last year. A magnificent compilation (released on Efficient Space, the label run by the guys behind the 'Noise In My Head' blog) of minimal wave, post pop, Balearic folk, or whatever you want to call it, is without doubt one of the most essential, as well as one of my very favourite, albums of recent times. With this pedigree in mind I was expecting big things of their next release!

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Timothy Dalton is the second full-length record from the experimentally inclined pairing of Ivan Smagghe and Rupert Cross. The collaboration has had a prolific year, releasing a well received album on Vladimir Ivkovic's 'Offen' label and no less than three seperate EPs, MmmmmmmTalking To Katz and Jazz, already in 2017.
Described by the duo as 'neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave' the record recalls the sound of 'the beardies from Tangerine Dream being kidnapped by Soft Cell, C86 and 1988, the Silver Apples composing a space opera with the help of an electro cardiogram monitor. Or the Wizard of OZ reviewed and reworked by Psychic TV.'
From the wobbly bass stabs and clattering percussion of the titular opener all the way to the shimmering shards of what sound like Tibetan bells and an unabashedly sweet melodica with its graceful melodic interplay on closer 'Time To Remember' you are in no doubt at any point that this most definitely isn't just a collection of session tracks that have been laying around the cutting room floor and jammed together.
'Klang' and 'Ostend' most strongly recall Smagghe's 'It's A Fine Line' project with their supremely odd dancefloor sensibilities and 'Door Ajar' sounds like it could have easily been transposed from the duo's 'MA' album, but saying that the range of the sound is still never less than striking.
They've drafted in a few extra's on this one to help out, too. Tim Felton from Broadcast's guitar can be heard prominently as can vocals from Andrea Balency, and Roman Turtev fleshes out the drums somewhat. The result is some of the albums standout tracks. 'Circle Around Rings', 'Interlude' and 'Janine'.
Overall, Smagghe and Cross have created a sleek listening experience. They're careful not to steamroller their individual voices either. Their respective signatures adding a striking shine and infectious spirit to proceedings.
Lets just hope that 'Pierce Brosnan' lives up to expectations!

Timothy Dalton by Smagghe & Cross is released on the 25th of September.



Find Idle Press on Facebook, here.
Find Idle Press on Soundcloud, here.

Follow Smagghe & Cross on Facebook, here.
Rupert Cross' website can be found, here.

Till next time.
Big love. Mark. X

Tuesday, 12 September 2017

How to get rich in the world of underground card gaming + Manfredas BiS mix.

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Don’t lie to yourself. You want to be rich. We all do. Staggeringly rich. We all want to be so rich we can march into our boss’s office and tell him we bought the company, he’s fired, the company has been renamed Dave Poncenbry Is A Cunt Recruitment Solutions. Dave Poncenbry was my old boss’s name. Except it isn’t, the legal advisor to this publication made me change it as I couldn’t prove Dave was a cunt to her legal department’s satisfaction. But this isn’t about what my old boss is or isn’t called, it’s about me telling you how you can get rich.

If you’re anything like me you aren’t dedicated or smart enough to get rich in a conventional, legal way, like inventing an app that tells people if they should grow sideburns. Nor do you possess the ruthlessness and amorality required to get rich from a big time criminal career. You won’t make a fortune trafficking drugs across the border via geese flock. At best you’ll be in an entry-level position, trying to stuff drug bags into a goose and getting pecked, hard, for your trouble. Take it from me, there’s only one reliable way for someone like you to get rich and that’s illegal, underground poker.

When I say poker I’m not talking about Texas Hold ‘Em, a game played by dimwitted public school boys named Oscar who used to sit next to me at work and complain to Dave that was writing articles about underground poker instead of doing my actual job. No. I’m talking about a form of the game so frowned on by respectable members of society that it was outlawed by the government even before they’d made it illegal to trample nine MP's to death with a horse, which is what an outraged poker baron did right after they signed the anti-poker law. The type of poker I’m talking about is called One-Card Stud.

It is extraordinarily easy to win money playing One-Card Stud. It’s so easy a camel could do it, if that camel had opposable thumbs and a rudimentary understanding of probability. And if it could talk. There’s a lot of talking involved. Forget it, a camel couldn’t win. But you can.

You might think the best place to play this highly illegal form of poker is in an underground casino run by a slick Mafia boss with a name like Luciano Gambarelli. You’d be right, but Luciano Gambarelli told me that if I wrote an article about him I’d wind up with “even less thumbs than a camel”. He meant “even fewer” but I didn’t correct him as, well, the thumb thing, innit.

So where can you play this game that I can write about and still keep my thumbs? There’s only one place. It’s a bar run by outlaw bikers. The bar is called The Pickle & Unicycle. Don’t tell them this is a stupid name for a bar. The last person who told them that suffered what you might call an 'unexplained disappearance'. You might call it that except it’s easily explained, he was murdered by some outlaw bikers.

Now here’s what you do to get in on this hot poker action. You go to The Pickle & Unicycle and you tell the barman the secret code. The code is “I’d like a delicious roast chicken dinner with all the trimmings”. If you went to the wrong bar by mistake you’ll be served a delicious chicken dinner. If you’re at the right bar you’ll be ushered into a poker room out the back but still wish you’d got to eat that chicken. I should’ve told you to eat before going to the bar, sorry.

In the dimly-lit back room you’ll see other players. There’s two types of people who play One-Card Stud. The first is grizzled Iraq war types called “Cobra”. The second type is people who look suspiciously like you, who are there because they too read an article about getting rich playing illegal poker.

When all the players are seated the dealer will produce a single card. The card bears mysterious symbols and the number twelve. What could it mean? Twelve is a number with heavy numerological significance. The ancient Romans used it to signify the twelfth day of the month. Modern calendar manufacturers use it for a similar purpose.

It’s almost time for the game to start. The dealer will tell you there’s a 5000 pound cash buy-in. Sorry, this is another thing I forgot to mention earlier. The other players, who read better articles about illegal poker than this one, all produce the cash. You don’t have the money so you leave, just as broke as when you went in. Later you learn that every other player in that game is now fantastically rich. So you pull together the 5000 quid and return to the bar. Except it isn’t a bar any more, it’s a shop that sells those giant pants you see in the 'before' shots in diet ads. The only sign of the store’s biker history is the muffled screaming coming from the back room.

You’re dejected. Your shot at riches is gone. You curse me and my terrible article. You start to plot your revenge against me. But it’s too late. That screaming from the back room? That was me. It seems that outlaw bikers don’t like articles being written about their illegal poker games either. Tough break for both of us, but no one ever said it would be extraordinarily easy to get rich playing underground poker. No one except me, and as you’ve learned I’m almost as bad at giving advice as I am at not getting tortured to death in a pants store run by outlaw bikers.



Till next time.
Big love. Mark. X

Wednesday, 23 August 2017

Sport. Whats wrong with it and how to fix it.

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Two large men throwing each other around on some canvass, ahh, wrestling. You may laugh at the big men in spandex tights, but the World Wrestling Entertainment Inc. may just be changing the sporting world!
You do not have to be in possession of a Jewelers eyepiece to work out that its fake. Nor do you have to be working for the Department Of Waste Disposal to know that its rubbish! Indeed, following a court ruling in 1999, American wrestling as then represented by the WWF and Co, could not be called a sport - it has to describe itself as 'sports entertainment'. And yet this more profitable perversion of sport, may, just may, have hit upon the future of sport as we know it. Before getting to the beef, and for the benefit of anyone whos spent the last five years in Mosul, lets remind ourselves of what World Wrestling Entertainment Inc has actually done. Under the stewardship of ex-grappler Vince McMahon, a spectacle in which medical freaks like Andre the giant lumbered around a ring in pursuit of a fat man in swimming trunks, has been transformed into one of the biggest entertainment concerns on the planet. Mostly this great metamorphosis has been achieved by appealing to the very basest instincts of man. In the weekly drama that surrounds the actual wrestling, plotlines that would shame Shakespeare at his most outrageous have been played out with scant regard for the intelligence of the viewer, or the moral health of society. People have been kidnapped and families have been ripped apart, and the ownership of the entire circus changes hands more often than a Q-reg BMW in Scotswood. In one particularly memorable plot, McMahon had his long suffering wife Linda - that weeks proprietor of the whole shebang - drugged and stuck in a loony bin; he then went to visit her with the sole intention of flaunting his nubile assistant in front of his chemically incapacitated spouse. One of the innovations that really put wheels under the WWE in the last 10 years was the introduction of fleets of softcore pornstars who double up as unlikely partners for the drooling monsters of the squared circle, and who themselves occasionally take part in some of the most ludicrous events to happen under the umbrella of the martial arts. My favourite was the evening gown matches, in which two or more of these survivors of a Russ Meyer wet dream scrabbled at each other until one, or preferably all, of the pretty party frocks were ripped off to reveal cubic yards of fake-tanned flesh and bikinis that wouldn't decently cover Barbie. Just how successful this cocktail of bash, cash and flash has become can be judged by the enormous audiences, both live and TV, these performances attract on both side sof the Atlantic. Think about the merchandising and endorsement opportunities. Two WWE autobiographies, Mick 'Mankind' Foley's 'Have A Nice Day! A Tale Of Blood And Sweatsocks!' and The Rock's' The Rock Says', trail only Dennis Rodmans 'As Bad As I Wanna Be', as the best selling sports books in history. Not to mention that Dwayne 'The Rock' Johnson is now the biggest and baddest cinema box office draw on the planet. His films grossing billions and his rumored movie paycheck is currently only behind that of Tom Cruise and Robert Downey Junior. But its not the theatrics of WWE that presents a danger to the future of real sports, but rather the profoundly clever thing that McMahon and Co worked out. Wrestling, they decided, had something the everyone loved, men kicking the shit out of each other, but the good bits were separated by too much padding, i.e. the actual grappling and wrestling. Their stroke of genius was then to remove the tedious bits, and now each short match consists of only high risk, high violence manoeuvres, performed at the very edges of what the bodies of these incredibly athletic rhinos can tolerate. Phenomenal dives from unlikely perches onto the prone bodies of opponents are the new wrestling's stock trade. It may be as much like traditional Saturday afternoon grip n' grapple with Big Daddy and Giant Haystacks as chalk and Dairylea, but the punters love it. Non of which has gone unnoticed by the suits who run our other sports. They all, of course talk of protecting the integrity of the games they oversee, while all the time envying the profile and money-generating power of this steroid dripping, genetically modified version of wrestling. You only need to look at the meteoric rise of MMA and the multi-millionaires of the UFC. The pressure brought to bear by the ultimate paymaster, television, will cause further unrest. It doesn't take too much imagination to see how other sports might one-day be repackaged with all the non-essential bits removed. Football (or Soccer) has already gone some way down this road in America. Penalty shoot-outs after every match that ends normal time in a draw, are an attempt to solve the problem of how to squeeze the blood of results from the stone of a game whose unit of scoring is too rare for the good ol US of A. Athletics however, is less well set up to take advantage of the wrestling phenomenon, most of its events get to the point double-sharp. The exceptions are the log distance track races, where we are forced to endure several loping laps of the circuit before the inevitable sprint finish. Here's my suggestion; Make the runners do the first 9800 metres (the part of a normal 10,000 meters spent in tactical jogging) on treadmills in the warm up area, then wheel them straight into the stadium and make them run the last 200 metres as a competitive sprint. I'll leave the rest to your imagination. Formula One on a Northumbria Bus skidpan (It makes no difference, even in a coma, Schumacher would still win with one hand on the wheel and a mobile phone jammed between his ear and shoulder); cricket, where the only delivery allowed is the a bodyline style bouncer and the only scoring shot is the big slog for six; beach volleyball without the pretence of bikinis you know the sort of thing. Maybe one day a terribly dressed pikey who you'd never heard of 2 years ago could fight Floyd Mayweather and it be the biggest pay per view box office draw the world had ever seen? Maybe the new discipline could even be applied to daily newspapers sports columns. Cut the shite about Paul Pogba's latest bust up, bullshit transfer speculation and general cackle, and cut straight to the chase, every day would just consist of some combination of the following words: first half, clash, blood, genius, great, agony, shock, rival, defeat, glory, sex, groin, strain, fiasco, transfer, dope, test, backhander, and errrr, Paul Pogba!



Thought we'd give you a bit of music to go with the words this time round, and as it's been a while since we posted I thought we'd slip you something a bit special. A live recording of TOLAS fav, Vladimir Ivkovic playing alongside Finnish wunderkind Lauri Soini (more on him in the coming weeks) at the Flow Festival in Helsinki, and it's an absolute beauty. Enjoy. X

Till next time.
Big love. Mark. X